While discussing the conventional basic points, lines, and surfaces of the printing patterns, it is particularly emphasized that the localization of the printing pattern design is a problem that cannot be ignored and focuses on the expressions and performance of the points, lines and surfaces of Chinese calligraphy and painting. Make a corresponding analysis.
As an important category in textile patterns, the expression techniques and techniques of printed motifs are not static, and they are constantly changing and enriching along with process changes and the discovery and application of new materials. However, in general, they can generally be summarized as pairs of points. , line, surface different treatment methods.
1 point performance
The point itself has the characteristics of being active and jumping. It can be modeled in the design of the printing pattern alone, or it can be used as the auxiliary of lines and surfaces. Changes in the size, density, and severity of points can effectively represent the changes in texture and light and darkness, primary and secondary changes, and increase the expressiveness of patterns. In particular, the use of points will be particularly limited when color registration is limited. important.
(1) Single point. "Point" exists independently as a visual image. They are larger than the usual ones, and can be used alone or in combination, and they can have monochromatic, polychromatic, regular, and irregular changes. Dots are used most often in printed designs and are used on the screen alone to serve as a static gesture, a broken tablet, a blank, and an appropriate embellishment.
(2) Rendezvous. The use of pointing and grouping. In the printed pattern, the collection point's expression methods are rich and varied. There are generally the following main forms: 1 Mud site. The combination of small and dense dots can be used to express the effect of flat decoration, and can also represent three-dimensional light and shadow effects. Can have density, dispersion, monochrome, multi-color changes. The mud site can show a more delicate image, structure, and transitional soft shading. 2 silk mud points. Organize the mud in an organized manner into filaments, from dense to sparse, mainly used to represent the turning of the petals and the slight fluctuations in the structure. 3 ice spots. Also known as betel nut, it consists of irregular, non-overlapping, small geometric shapes, which are mostly four-hexagonal. It can be a flat effect, and it can also be used to make changes in the actual and virtual changes of the gradient.
(3) Drawing lessons from the midpoints of artistic works. The design of printed designs should constantly enrich their own expressions and absorb the expressions of different art forms for my own use. During the Song Dynasty, Fan Kuan’s “Traveling in the Mountains and Mountains†map, the stone wrinkle method successfully demonstrated the magnificent landscape of the northern landscape, and has become a classic method of landscape painting. The "Mia Jiayun Mountain" in the same song is also a major expression of point-based techniques. It is a special expression of the special feelings of the Mi family and the son of the South. In addition, it is worth mentioning that Xu Hao's outstanding performance in calligraphy and painting, he made the crazy grass, "Du Fu's poetry", through-word text strokes have a strong tendency to point, before the ancient people; and another ink grape map axis, the whole almost All the points are composed of different sizes, and the leaves and fruits in the frame are indiscernible, and it is unnecessary to distinguish whether the spots and wet pens are full of angry emotions. In modern times, Huang Binhong and Zhao Tianshou used their points in their pictures to experience each other. Impressionist painters use a lot of improvisation and intuition, while pointillism is much more rational. Patterns of this type in print designs can often be seen in the 20th century. In addition, the localization of design is a problem that cannot be ignored. Designers should pay attention to the construction of their own knowledge structure and strengthen their understanding of their own cultural traditions, especially Chinese calligraphy and painting.
2 line performance
Lines are important styling elements in the design of printing patterns, and they are also effective expressions for the shaping of images. The lines represented by different tools have different personalities; the same tool can be used to express lines with different characteristics due to the severity of operation, urgency, positive, reverse, and the change of dry and wet shades. In addition there are twists and turns, length, thickness, smoothness and stagnation, smooth and rough changes. This gives the line an exceptionally rich and varied expression. The conventional lines of the print pattern are:
(1) Modeling line. The structure, appearance, etc. of a pattern are completely represented by lines, which is a common technique in a printed pattern. The understanding of the line between the east and the west is different. Although the lines are also used to express the line, the connotation and temperament of the respective system lines are very different. In comparison, Oriental lines represented by Chinese painting and calligraphy have more changes and independent aesthetic tastes than Western lines.
(2) Decorative lines. Does not emphasize the various changes in the line itself, usually expressed as uniform, light, thick and appropriate, but there is a strong decorative. Such as the pattern in the wrapping line, lines and other patterns. The traditional paisley patterns are mainly represented by the decorative lines of the organization.
(3) silk. A technique commonly used in printing patterns is suitable for the gradual change of the expression surface, the structure, the construction of light and shadow, and the like. The painting method of Qingtian Nantian chrysanthemum is slightly similar to this. If some of the brushwork techniques can be learned from it, it will make the silkworm technique a little less guilty.
(4) Drawing lessons from lines in fine arts. Calligraphy is called the art of the line and it is recognized as an outstanding representative of the representation art of the line. Many calligraphers in history have provided extremely diverse classic examples for the performance of the line. In the books of Huai Su, Zhang Xu, Huang Tingjian, Xu Wenchang, Zhang Ruitu, and Ni Yuanyu, the reading of the text appears to have become less important or even superfluous. The line itself has a strong appeal and expressive force. The line is all about what the author wants to say. Compared with the lines of calligraphy, the lines of the woodblock New Year paintings seem to have more decorative features; while the ink line drawing works of Chen Baiyang, Badashanren, and Pu Zuoxing, etc., show the lines of their temperament and reflect the colorful lines of Chinese paintings. The richness of performance.
3 face performance
The surface is one of the most basic styling techniques in printed patterns. Can be divided into flat coated surface, virtual surface and decorative surface three categories.
(1) Flat coated surface. Uniformly painted, no shade change, visually expressed as a quadratic element of the plane space, the effect is more simple and concise, such as the shadow painting method, the way left blank. However, a three-dimensional shape can also be realized by a combination of multiple block surfaces. This method of expressing three-dimensional shapes in blocks is more common in the design of printed patterns.
(2) Virtual reality. On the basis of the monochromatic flat coating, the block surface of the pattern shows changes from true to false, from thick to thin, from strong to light, and the specific expression methods are:
1 The mud point method: On the basis of the monochromatic flat coating, the transition from dense to sparsely muddy point transitions, the overlapping of the dense spots, the clear particles, and the dense and uniform transition.
2 dry brushwork: also known as dry pen, with a relatively dry and saturated color pen quickly sweep out the effect of the real dry brush effect. It's better to use a pen instead, and it is better to use a pen that does not appear to cross.
3 rendering method: the flat coated color dampness with a clear pen to change the effect of changing shades of light.
4 silk method: according to the structural characteristics of the pattern extending from the surface of the part of the flat coating, the thickness of the line is changed, one is more dense, one is more sparse. The pen path is required to be clear and the brush strokes are not crossed. According to the differences in stroke thickness and density, it is divided into: 1) Rough silk: The distance between strokes and strokes is relatively sparse, the transition between actual and actual is fast, the level conversion is not very soft, and it is mostly used in the performance of small flowers. 2) Fine silk: The arrangement between strokes and strokes is relatively dense, the transition between virtual and real is relatively moderate, the lines are ups and downs, and there is strong expressiveness.
(3) decorative surface. Add a variety of decorative elements inside the flat coated surface to enrich the monotonous plane. While achieving a simple and simple effect on the whole, the details also have a more detailed look. Folk paper-cutting often uses the technique of flower decoration to decorate the surface.
(4) Drawing on the presentation of East and West. In the face of understanding and use, the East and West also showed a large difference, the East is accustomed to the expression of the object of the yin and yang back to the relationship, while the West is more accustomed to the smear of the block for the three-dimensional light performance.
Oriental art typically represents the performance of the relevant surface in Chinese painting: Xu Wenchang's ink peony, the use of the surface focus on pen and ink shade changes, the expression of the screen is a high degree of unity of images and images. In the landscape paintings, the axe and the puppet focus on the relationship between the yin and yang of the mountain and the stones. The Song people's works depict the beautiful, oblique, and back three-flowered heads of the beautiful and beautiful people, subtly portraying the level of the object's own concave-convex turns; while in Cezanne's eyes, various objects are just different combinations of basic shapes, Matisse. The screen emphasizes the free and casual expression of the decorative effects and strokes of the plane, and is obviously inspired by oriental art. Traditional folk arts still have a variety of expressions and forms of expression that merit attention, such as the handling of paper-cut decorative surfaces, the extremely expressive performance of Wuxi paper-and-paper color blocks, and the contrast of black and white contrasts and actual and actual changes of the portrait stone rubbings.
4 point, line, surface combination
Most of the printed patterns are the integrated expression of dots, lines, and faces. In the combination of dots and lines, generally one or two of them are dominant, and the others are supplemented with the rest. It must not be treated equally, so that the picture does not have a difference between the primary and the secondary, but appears cluttered.
5·Expanding Changes in Special Performance Techniques
In the printing pattern, especially in the printing and dyeing pattern design, with the emergence and development of transfer printing and computer printing, the printing pattern expression method is less and less limited by the process. In order to meet the needs of visual effects, it is necessary to use a certain technique to make some special textures to enrich the picture. Commonly used techniques include: water-staining, spraying, rubbing, scoring, smoking, moxibustion, grinding, crease, adsorption, collage, photography, and crayon. The development of special performance techniques can be broadly summarized as:
(1) Development of materials. The textural textures of rice paper, watercolor paper, kraft paper, and craft cardboard are all different. Materials such as oil paintings, watercolors, and Chinese painting pigments also have their own characteristics.
(2) Changes. Brushes, water chalk, paintbrushes, oil painting knives, pastels, crayons, pencils, etc. As long as the screen needs, everything that can be imagined is a tool of expression.
(3) Performance method synthesis. By combining various common methods, you can get rich picture effects: contrast between dry and wet paintings, comprehensive application of Chinese and Western paintings, realistic and decorative juxtaposition, combination of hand-painted and material expressions, painting and rubbing. Combinations, etc., the same material with different tools, the same tool with different materials, etc.
In addition, you can also use the computer to assist in the processing of results. In short, different visual techniques can be used to achieve different visual textures. However, as a result of the use of texture, it is still necessary to meet the requirements of the production process and to have a certain sense of cost.
As an important category in textile patterns, the expression techniques and techniques of printed motifs are not static, and they are constantly changing and enriching along with process changes and the discovery and application of new materials. However, in general, they can generally be summarized as pairs of points. , line, surface different treatment methods.
1 point performance
The point itself has the characteristics of being active and jumping. It can be modeled in the design of the printing pattern alone, or it can be used as the auxiliary of lines and surfaces. Changes in the size, density, and severity of points can effectively represent the changes in texture and light and darkness, primary and secondary changes, and increase the expressiveness of patterns. In particular, the use of points will be particularly limited when color registration is limited. important.
(1) Single point. "Point" exists independently as a visual image. They are larger than the usual ones, and can be used alone or in combination, and they can have monochromatic, polychromatic, regular, and irregular changes. Dots are used most often in printed designs and are used on the screen alone to serve as a static gesture, a broken tablet, a blank, and an appropriate embellishment.
(2) Rendezvous. The use of pointing and grouping. In the printed pattern, the collection point's expression methods are rich and varied. There are generally the following main forms: 1 Mud site. The combination of small and dense dots can be used to express the effect of flat decoration, and can also represent three-dimensional light and shadow effects. Can have density, dispersion, monochrome, multi-color changes. The mud site can show a more delicate image, structure, and transitional soft shading. 2 silk mud points. Organize the mud in an organized manner into filaments, from dense to sparse, mainly used to represent the turning of the petals and the slight fluctuations in the structure. 3 ice spots. Also known as betel nut, it consists of irregular, non-overlapping, small geometric shapes, which are mostly four-hexagonal. It can be a flat effect, and it can also be used to make changes in the actual and virtual changes of the gradient.
(3) Drawing lessons from the midpoints of artistic works. The design of printed designs should constantly enrich their own expressions and absorb the expressions of different art forms for my own use. During the Song Dynasty, Fan Kuan’s “Traveling in the Mountains and Mountains†map, the stone wrinkle method successfully demonstrated the magnificent landscape of the northern landscape, and has become a classic method of landscape painting. The "Mia Jiayun Mountain" in the same song is also a major expression of point-based techniques. It is a special expression of the special feelings of the Mi family and the son of the South. In addition, it is worth mentioning that Xu Hao's outstanding performance in calligraphy and painting, he made the crazy grass, "Du Fu's poetry", through-word text strokes have a strong tendency to point, before the ancient people; and another ink grape map axis, the whole almost All the points are composed of different sizes, and the leaves and fruits in the frame are indiscernible, and it is unnecessary to distinguish whether the spots and wet pens are full of angry emotions. In modern times, Huang Binhong and Zhao Tianshou used their points in their pictures to experience each other. Impressionist painters use a lot of improvisation and intuition, while pointillism is much more rational. Patterns of this type in print designs can often be seen in the 20th century. In addition, the localization of design is a problem that cannot be ignored. Designers should pay attention to the construction of their own knowledge structure and strengthen their understanding of their own cultural traditions, especially Chinese calligraphy and painting.
2 line performance
Lines are important styling elements in the design of printing patterns, and they are also effective expressions for the shaping of images. The lines represented by different tools have different personalities; the same tool can be used to express lines with different characteristics due to the severity of operation, urgency, positive, reverse, and the change of dry and wet shades. In addition there are twists and turns, length, thickness, smoothness and stagnation, smooth and rough changes. This gives the line an exceptionally rich and varied expression. The conventional lines of the print pattern are:
(1) Modeling line. The structure, appearance, etc. of a pattern are completely represented by lines, which is a common technique in a printed pattern. The understanding of the line between the east and the west is different. Although the lines are also used to express the line, the connotation and temperament of the respective system lines are very different. In comparison, Oriental lines represented by Chinese painting and calligraphy have more changes and independent aesthetic tastes than Western lines.
(2) Decorative lines. Does not emphasize the various changes in the line itself, usually expressed as uniform, light, thick and appropriate, but there is a strong decorative. Such as the pattern in the wrapping line, lines and other patterns. The traditional paisley patterns are mainly represented by the decorative lines of the organization.
(3) silk. A technique commonly used in printing patterns is suitable for the gradual change of the expression surface, the structure, the construction of light and shadow, and the like. The painting method of Qingtian Nantian chrysanthemum is slightly similar to this. If some of the brushwork techniques can be learned from it, it will make the silkworm technique a little less guilty.
(4) Drawing lessons from lines in fine arts. Calligraphy is called the art of the line and it is recognized as an outstanding representative of the representation art of the line. Many calligraphers in history have provided extremely diverse classic examples for the performance of the line. In the books of Huai Su, Zhang Xu, Huang Tingjian, Xu Wenchang, Zhang Ruitu, and Ni Yuanyu, the reading of the text appears to have become less important or even superfluous. The line itself has a strong appeal and expressive force. The line is all about what the author wants to say. Compared with the lines of calligraphy, the lines of the woodblock New Year paintings seem to have more decorative features; while the ink line drawing works of Chen Baiyang, Badashanren, and Pu Zuoxing, etc., show the lines of their temperament and reflect the colorful lines of Chinese paintings. The richness of performance.
3 face performance
The surface is one of the most basic styling techniques in printed patterns. Can be divided into flat coated surface, virtual surface and decorative surface three categories.
(1) Flat coated surface. Uniformly painted, no shade change, visually expressed as a quadratic element of the plane space, the effect is more simple and concise, such as the shadow painting method, the way left blank. However, a three-dimensional shape can also be realized by a combination of multiple block surfaces. This method of expressing three-dimensional shapes in blocks is more common in the design of printed patterns.
(2) Virtual reality. On the basis of the monochromatic flat coating, the block surface of the pattern shows changes from true to false, from thick to thin, from strong to light, and the specific expression methods are:
1 The mud point method: On the basis of the monochromatic flat coating, the transition from dense to sparsely muddy point transitions, the overlapping of the dense spots, the clear particles, and the dense and uniform transition.
2 dry brushwork: also known as dry pen, with a relatively dry and saturated color pen quickly sweep out the effect of the real dry brush effect. It's better to use a pen instead, and it is better to use a pen that does not appear to cross.
3 rendering method: the flat coated color dampness with a clear pen to change the effect of changing shades of light.
4 silk method: according to the structural characteristics of the pattern extending from the surface of the part of the flat coating, the thickness of the line is changed, one is more dense, one is more sparse. The pen path is required to be clear and the brush strokes are not crossed. According to the differences in stroke thickness and density, it is divided into: 1) Rough silk: The distance between strokes and strokes is relatively sparse, the transition between actual and actual is fast, the level conversion is not very soft, and it is mostly used in the performance of small flowers. 2) Fine silk: The arrangement between strokes and strokes is relatively dense, the transition between virtual and real is relatively moderate, the lines are ups and downs, and there is strong expressiveness.
(3) decorative surface. Add a variety of decorative elements inside the flat coated surface to enrich the monotonous plane. While achieving a simple and simple effect on the whole, the details also have a more detailed look. Folk paper-cutting often uses the technique of flower decoration to decorate the surface.
(4) Drawing on the presentation of East and West. In the face of understanding and use, the East and West also showed a large difference, the East is accustomed to the expression of the object of the yin and yang back to the relationship, while the West is more accustomed to the smear of the block for the three-dimensional light performance.
Oriental art typically represents the performance of the relevant surface in Chinese painting: Xu Wenchang's ink peony, the use of the surface focus on pen and ink shade changes, the expression of the screen is a high degree of unity of images and images. In the landscape paintings, the axe and the puppet focus on the relationship between the yin and yang of the mountain and the stones. The Song people's works depict the beautiful, oblique, and back three-flowered heads of the beautiful and beautiful people, subtly portraying the level of the object's own concave-convex turns; while in Cezanne's eyes, various objects are just different combinations of basic shapes, Matisse. The screen emphasizes the free and casual expression of the decorative effects and strokes of the plane, and is obviously inspired by oriental art. Traditional folk arts still have a variety of expressions and forms of expression that merit attention, such as the handling of paper-cut decorative surfaces, the extremely expressive performance of Wuxi paper-and-paper color blocks, and the contrast of black and white contrasts and actual and actual changes of the portrait stone rubbings.
4 point, line, surface combination
Most of the printed patterns are the integrated expression of dots, lines, and faces. In the combination of dots and lines, generally one or two of them are dominant, and the others are supplemented with the rest. It must not be treated equally, so that the picture does not have a difference between the primary and the secondary, but appears cluttered.
5·Expanding Changes in Special Performance Techniques
In the printing pattern, especially in the printing and dyeing pattern design, with the emergence and development of transfer printing and computer printing, the printing pattern expression method is less and less limited by the process. In order to meet the needs of visual effects, it is necessary to use a certain technique to make some special textures to enrich the picture. Commonly used techniques include: water-staining, spraying, rubbing, scoring, smoking, moxibustion, grinding, crease, adsorption, collage, photography, and crayon. The development of special performance techniques can be broadly summarized as:
(1) Development of materials. The textural textures of rice paper, watercolor paper, kraft paper, and craft cardboard are all different. Materials such as oil paintings, watercolors, and Chinese painting pigments also have their own characteristics.
(2) Changes. Brushes, water chalk, paintbrushes, oil painting knives, pastels, crayons, pencils, etc. As long as the screen needs, everything that can be imagined is a tool of expression.
(3) Performance method synthesis. By combining various common methods, you can get rich picture effects: contrast between dry and wet paintings, comprehensive application of Chinese and Western paintings, realistic and decorative juxtaposition, combination of hand-painted and material expressions, painting and rubbing. Combinations, etc., the same material with different tools, the same tool with different materials, etc.
In addition, you can also use the computer to assist in the processing of results. In short, different visual techniques can be used to achieve different visual textures. However, as a result of the use of texture, it is still necessary to meet the requirements of the production process and to have a certain sense of cost.
Feature
1.The tray is the container to carry the flowerpot, which is used to hold the excess water leaking out of the flowerpot after watering. Solve the geothermal damage to the flower roots, while avoiding the damage to the floor.
2. The ceramic tray is rich in color, beautiful in appearance and has certain ornamental value.
Attribute
| Size |
41cm, 36cm, 30cm, 27cm, 25cm, 22cm, customized |
|
Shape |
Round, customized |
| Colour | Red, green, blue, white, customized |
Ceramic Saucer,Drip Saucer,Flower Pot Saucer,Customized Tray
Yixing Bocai Pottery Co.,Ltd , https://www.bocaipottery.com